- Radio Hito - Credo
- Sam Media - Simple As Fuck
- Şeytan Tüyü - Anita
- Volga - Na Gorushke (Live at DOM 2002)
- Electronic Body Girl - Walk Away
- Dame Area - Dis-umani
- Cilin - An Abhainn Mhor C2
- δρ - Fifty Fifty (Anatolian Weapons Rework)
- Romain FX - Guanmu Cong D1
- Mytron & A von F - Confiture
- Tagliabue - Riso Amaro
- Eylul Deniz - She Can't Die (Twin Peaks Instrumental Cover)
Elsewhere XX
€25,99
ARTIST V/A - VARIOUS ARTISTS
LABEL Kalahari Oyster Cult (OYSTER35)
RELEASE DATE 02/2022
GENRE Downtempo, Leftfield, Synth Pop, Wave
MEDIA FORMAT 2LP
- Radio Hito - Credo
- Sam Media - Simple As Fuck
- Şeytan Tüyü - Anita
- Volga - Na Gorushke (Live at DOM 2002)
- Electronic Body Girl - Walk Away
- Dame Area - Dis-umani
- Cilin - An Abhainn Mhor C2
- δρ - Fifty Fifty (Anatolian Weapons Rework)
- Romain FX - Guanmu Cong D1
- Mytron & A von F - Confiture
- Tagliabue - Riso Amaro
- Eylul Deniz - She Can't Die (Twin Peaks Instrumental Cover)
Always ahead of the tide, the Kalahari Oyster is a fine specimen when it comes to the discipline of next-level sound-snooping. Meticulously curated by Belgian sonic globetrotter soFa, Elsewhere XX showcases a dozen outstanding tunes, each dwelling in their own personal space between the imaginary worlds of post-kraut, DIY synth-punk and odd-pop ballads. Melting these genres with contemporary club music is the mission here. Doused in a thick fog of arcane machine talk, tribal rhythms and cosmic synths, Elsewhere XX is an invitation to escape the hall of LED-backlit mirrors that we’ve so mistakenly come to call our “reality”.
Gathering artists from all corners of the globe – including Radio Hito, Anatolian Weapons, Eylul Deniz, Dame Area and Electronic Body Girl – soFa’s curation lays the groundwork for a unique and thoroughly immersive listening and dancing experience. From distorted funk (“Anita”, “Confiture”) and cross-pollinated electroid blueprints (“Walk Away”, “An Abhainn Mhor”) to oddball synthpop (“Credo” & Twin Peaks cover “She Can’t Die”), reverb-soaked audio safaris (“Fifty Fifty (Anatolian Weapons Dub)”) and static-filled postpunk (“Umani”).
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